God Send Death BY SLAYER....

On your back look on to me
You'll see genocide
Face from death more than insane

Profane pleading cries
Watch you die inside watch you die
God send death end misery

Preach no love of ministry
Pray for sin a shattered faith
Down on your knees

Your screaming out to die
Death is over due
Nothing can save you

A morbid symphony
Hearing you lie there screaming
Taking life from you

Is all I wanna do
Desire so deranged
This is what lives inside me

Putrid blood flows through my veins
To thrive on demise
Voyeurs' lust watching the pain

Touching you inside
Bleed you fucking dry
Bleed on me

Death's design blood splattered wall
Face melting one vicious whore
Twisted figures flesh from bone

Down on your knees
Your screaming out
To die

Death is overdue
Nothing can save you
A morbid symphony

Hearing you lie there screaming
Taking life from you
Is all I wanna do

Desire so deranged
This is what lives inside me
Clawing at the eyes of god

You taste your death in hand
Your fingers bleed in vain
Your scream-in your grave

Clawing at the eyes of god
You pierce your throat and hands
You've gone insane with pain

Your blind screaming for your god
Pathetic god

Death's design blood splattered wall

Face melting one vicious whore
Twisted figures
Drown your mind in pain

THANK GOD FOR SLAYER!!!!


SLAYER IS THE GREATEST BAND ON EARTH I LOVE SLAYER I JUST CAN'T THINK OF SOMETHING MORE ENJOYABLE THAN A NICE SLAYER SONG LIKE RAINING BLOOD OR ANGEL OF DEATH I REALLY REALLY REALLY LOVE SLAYER I LOVE THAT THEY'RE GOOD CLEAN FAMILY GUYS AND JUST GREAT MUSICIANS AND THEY HAVE THE DEVIL ALL OVER THEIR RECORDS

Exclaim!: What are your current fixations?

Lombardo: "Right now it's music and it's been that for a while: rhythm and music, immersing myself in as much good stuff as possible. There's a Bulgarian band TARAF DE HAIDOUKS and their album 'Band of Gypsies'. Their music is fast and resembles the intensity and the speed of SLAYER. It's a whole different genre, gypsy folk music. But let me tell you, it's some of the fastest stuff that I've ever heard in my life. I'm just intrigued by these guys who enjoy playing fast like we do, so there's a common thread there. It gives you a good rush."

Exclaim!: What has been your most memorable or inspirational gig and why?

Lombardo: "In Paris at a jazz festival. I played there with John Zorn and Bill Laswell, the dub producer, and Fred Frith, the guitar player/sound effects guy. We did an improv there that brought the people to their feet — it was just amazing. We clicked so well that night that I don't think it was ever recreated again. That showed what could come out from your inside naturally — a musical experience that only happens not very often."

I MEAN, THAT'S DAVE LOMBARDO HE WAS THE DRUMMER FOR SLAYER AND HE LOVES TARAF DE HAIDOUKS THE GREATEST BAND EVER!!! AND YES TARAF DE HAIDOUKS PLAY SUPER FAST LIKE A BUNCH OF LOONY TUNES RECORDS PLAYED AT ONCE AT 45 RPM ON A SUPERFAST TURNTABLE AND YES TARAF DE HAIDOUKS PLAY CYMBALONS A CRAZY INSTRUMENT THAT IS PLAYED WITH MALLETS AND RESEMBLES A ZITHER AND THE OLD GUY FROM TARAF DE HAIDOUKS PLAYS A LOOSE STRING ON HIS VIOLIN HE PLAYS THE HARMONICS AND HE'S JUST SO BADASS BECAUSE HE'S ABOUT EIGHTY (LIKE THE CUBAN PIANIST RUBEN GONZALES WHO IS ALSO AS COOL AS SLAYER AND DAVE LOMBARDO IS ALSO CUBAN SO THEY HAVE SOMETHING IN COMMON) AND THEY PLAY SO FAST AND SO INTENSELY THAT I FEEL LIKE RIPPING OUT MY TONGUE AND A FEW YEARS AGO I WENT TO SEE THE MOVIE LATCHO DRUM BY THE GYPSY DIRECTOR TONY GATLIF (WHO IS ALSO SUPER COOL JUST LIKE DAVE LOMBARDO AND TOM ARAYA AND AS BADASS AS SLAYER) AND IN THE FILM TARAF DE HAIDOUKS ARE SHOWN PLAYING IN A DUSTY ROMANIAN STREET AND THE OLD TARAF DE HAIDOUKS DUDE WAS DOING HIS LOOSE VIOLIN STRING HARMONICS SONG AND WHEN I CAME OUT OF THE MOVIE HOUSE I NEARLY SHIT MY PANTS WHEN THE OLD GUY FROM TARAF DE HAIDOUKS WAS STANDING RIGHT IN FRONT OF ME IN THE FLESH AND THAT'S JUST ONE OF THE REASONS WHY I LOVE SLAYER THE GREATEST BAND THAT EVER EXISTED AND THAT WILL EVER EXIST AS LONG AS THE UNIVERSE SHALL ENDURE

I just spent a long time looking at the video with the weird plant person, and reading all the comments, and it seems to be fake. Why wouldn't the guy just get in his car and drive away? He's obviously in a residential neighborhood, and the car is parked out front.


I just found this really cute guide to making your own ghost videos.


Some guy wrote that he took clips from "the scariest shit I've ever seen" and got rid of all the noise in the picture and the "thing" running is really a brunette girl.

Still, though, I'm pretty spooked out and it's almost 4 in the morning


I get really spooked out around the house sometimes.

Hi There!

Here are some neato videos that are very scary!!

I found out about "Scariest Shit Ever" from my friend Bubby, whose parents own a pair of genuine mummified human hands

He said that he spent a whole night watching a bunch of really scary videos, and this one was the scariest of 'em all.

HE ALSO SAID THAT HE WATCHED A BUNCH OF CHUPACABRA VIDEOS, HERE'S ONE AS WELL

DEAD BABIES AND BLOOD

here's a little questionnaire I got from Arlan Londono for the Digital Art Fair, I left the questions in Spanish, I think it looks kinda neat that way.

1- Cual es el objetivo como curador? cual es la visión del grupo u organización?


My objective as a curator is to connect with people, and to bring art to as many people as possible, in as many media as possible, in as many venues as possible, and as often as possible.

My area of interest as a curator, like my area of interest as an artist, is to make lateral connections between seemingly disparate themes and tendencies in art and culture. I like the unconventional and the challenging. I am drawn to eccentricities in art as well as in life.

Although I have been working with Gallery TPW for the last year and a half, I don't really have an official “job” in any institution. Not being with a big institution limits the scale of the projects that I can undertake, but the advantage of this is that I am, as Mick Jagger said, “Free to do what I want, any old time”. The objective of my work with TPW is to exploit the internet (specifically Youtube and Blogspot as well as Stickam, the webcast site) in order to create content for the gallery, in its expanded mandate to broaden its focus to include all forms of screen and lens-based art as well as photography, and to explore the theme of “Darkness” in art. I recently curated a show for TPW entitled Death: It’s Out There, and moderated a panel discussion with artist Jack Burman, Stanley Chung, the owner and operator of Bates and Dodds Funeral Services (the oldest funeral home in Toronto) and Father Larry, the bereavement councilor for Bates and Dodds. The video footage of the discussion can be seen on Youtube. I am currently working on an offsite project for Gallery TPW called Shoot Your Neighborhood, with the youth of St James Town, artist Raffael Antonio Iglesias, and artist Mona Kamal, consisting of a postering project and a webcast panel discussion.

3- Cual es su relacion con el contexto arte contemporaneo
internacional o la corriente principal? Cree que hay una? Cree que es impuesta?


In the 90’s there was a tendency for contemporary art to focus on social issues. In many instances, the message that the work conveyed took precedence over the work itself. In contrast, much of the contemporary art that is happening at this moment in history is about irony and cleverness. What it lacks in theoretical weightiness and political substance, it makes up for in coolness and fresh ideas. This may seem like a bad thing, but at least the art of today doesn’t take itself as seriously as the politically correct art of the 1993 Whitney Biennial. Today’s contemporary artists are not weighed down by the burden of having to create “meaningful” politicized works. But the option is there. David La Chappelle can shoot ostentatious photographs for Paris Vogue, while at the same time making a terrific, socially conscious film like RIZE. I love both. I think we need meaning and superficiality in life.

the ironic stance of artists like the Chapman Brothers, Pipilloti Rizt and Damien Hirst, is contrasted by artists that have embraced Relational Aesthetics: Artists such as Rikrit Tiravanjia, Darren O’Donnell and Gustavo Artigas, who are more interested in creating genuine connections amongst people. These artists could be said to be aligned with the left, which does not appeal to me in the least.

Artists like Matthew Barney and Alexandro Jodorowsky invent complex mythologies around themselves in the tradition of Joseph Buoys, and use the cinema as a form of sculptural device or a time-based art installation to explore these mythologies.

Other tendencies: Photoconceptualists like Rodney Graham and Jeff Wall. The L.A. scene, with artists like John Valdessary, Paul McCarthy and Mike Kelley. And artists who hijack fashion and celebrity, as in the work of Vanessa Beecroft and the lovely Elizabeth Peyton. The list goes on and on… in fact, the above description of the current trends in contemporary art is a gross generalization. Today’s contemporary art is a “mashup” made up of innumerable tendencies. There are as many “currents” in contemporary art as there are MP3s in Napster, and I embrace them all. The name of the game is Formlessness, a concept that dates back to the “Warring Kingdoms” era in ancient China.

4- Cual es su opinion sobre la relacion arte y política? Que piensa
del llamado giro a la izquierda latinoamericano y el arte? lo afecta?
Si lo afecta como lo afecta?

Politics interest me only as a source of raw material in the form of imagery and colorful (or off-color) characters. The relationship of art to politics (especially when politics are enforced by firepower) is utterly laughable. I believe that politicking is best done by politicians. One need only look at the Russian avant-garde under the Bolsheviks to see the fallacy of thinking that politics could look at contemporary art as a valuable asset. The Italian futurists didn’t fare any better. The Nazis labeled the avant-garde Entartete Kunst (“Degenerate Art”). Contemporary art is seen as a frivolous commodity, which is exactly what it is. When all’s said and done, nothing pleases the political sphere more than figurative pictures of smiling babies, wheat fields and happy workers, especially when the regime is totalitarian, whether left or right. Where contemporary art is effective, is in commenting on the current political climate, as in the work of the terrific conceptualist duo of Allora and Calzadilla who hail from Puerto Rico. Or as a service to the community, as in the work of Mel Chin. I am a huge admirer of Antanas Mokus, and I think that he did use art as a potent tool to induce socio-political reform in Bogota, unless, of course, I have been misinformed about him.

5- Que entiende por arte y subversión?

I am a Hispanic who makes art that is not exclusively concerned with political agendas and is not interested in representing a victimized people or culture. And I feel that this is extremely subversive. I want to exist in a world where I am a part of a globalized culture that is fluid and devoid of regional or national attachments. This pisses people off, because they want to hold on to outdated ideas of national or cultural identity. I am a Hispanic -a quick phone conversation and my thick accent will verify that – but being a Hispanic does not define me. I want to curate shows that are interesting and compelling. Whether these shows address a social issue or not isn’t a concern to me. I make and curate art that is meaningful to me, and sometimes that art involves dead babies and blood.